70. Which of the following sentences best expresses the primary organizing principle of the excerpt?
Answer: C
Everything was without shadow
This sentence captures the essence of the excerpt by emphasizing the absence of shadow, which suggests clarity and illumination, serving as a central theme throughout the text.
A) Whatever the light touched became dowered with a fanatical existence (lines 1 - 3)
While this option conveys the impact of light on the surroundings, it does not encapsulate the primary organizing principle of the excerpt. It focuses more on the effect of light rather than the overall condition of the environment being described, which is more accurately represented by the absence of shadow.
B) Suddenly tumblers revealed themselves upheld by streaks of light (lines 4 - 5)
This sentence highlights a specific moment of revelation through light but fails to reflect the broader organizing principle of the excerpt. It focuses on a transient event rather than the overarching theme of illumination and the lack of shadow, which is crucial to understanding the text as a whole.
C) Everything was without shadow (lines 10 - 11)
This option best expresses the primary organizing principle of the excerpt. The absence of shadow signifies a unique quality of light that permeates the scene, suggesting a state of purity and clarity that is central to the overall message of the passage.
D) Here was the boss of a chair; here the bulk of a cupboard (lines 13 - 14)
This choice provides specific details about the furniture but does not articulate the primary organizing principle. It describes elements of the setting without addressing the overarching theme of light and shadow, which is crucial to the excerpt's meaning.
Conclusion
The correct answer, "Everything was without shadow," succinctly encapsulates the primary organizing principle of the excerpt, highlighting the significance of light and its relationship to clarity. All other options, while descriptive, fail to convey the central theme of illumination and the absence of shadow that is pivotal to the text's intent.