Question 12

Creative practices that are complex and profound always eventually earn the attention and respect of critics.

This statement directly supports the cartoonist's conclusion by establishing a principle that applies to creative practices, suggesting that cartoons, like jazz, will eventually be recognized for their complexity and profundity.

A) Creative practices that are complex and profound always eventually earn the attention and respect of critics.

This option is correct because it provides a general rule that supports the cartoonist's argument by implying that the same trajectory of recognition that jazz experienced will apply to cartooning. If critics eventually acknowledge complex and profound creative practices, then it stands to reason that cartoons will also achieve this recognition.

B) Overall, the interest in cartoons as a popular-culture medium is almost as great as the interest in jazz.

While this statement may indicate a level of popularity, it does not directly address the issue of critical recognition. Popularity alone does not equate to critical acceptance or the acknowledgment of artistic merit, which is what the cartoonist's conclusion hinges upon.

C) A few art critics already respect cartoons that explore profound themes in complex ways.

This statement suggests some acceptance but does not strongly support the broader conclusion that all cartoons will eventually be recognized as art. It indicates a minority view rather than a trend among critics, which weakens its relevance to the cartoonist's argument.

D) Many music critics refused to regard jazz music as a valid art form when it first appeared.

While this option provides historical context for jazz, it does not directly support the conclusion about cartoons. It merely illustrates a past situation without establishing a connection to the current state of cartooning and its potential future recognition.

E) There are significant differences as well as similarities between jazz and cartoons.

This statement complicates the analogy made between jazz and cartoons, which detracts from the strength of the argument. By highlighting differences, it undermines the assertion that both art forms will follow a similar path toward critical acceptance.

Conclusion

Option A is the most compelling choice, as it aligns with the core argument that complex and profound creative practices ultimately gain critical recognition, mirroring the journey of jazz. The other options either lack direct relevance or fail to reinforce the cartoonist's conclusion, making them less effective in supporting the overall argument.